Fondazione Querini Stampalia
Add Fire. Furla Prize 2013
Chiara Fumai
I did not Say or Mean ‘Warning’
Chiara Fumai, winner of the ninth edition of the Furla Prize, at the Fondazione Querini Stampalia in Venice with I did not Say or Mean ‘Warning’
Wednesday 29 May - Sunday 30 June 2013
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Add Fire. Furla Prize 2013 Chiara Fumai, winner of the ninth edition of the Furla Prize,at the Fondazione Querini Stampalia in Venicewith I did not Say or Mean ‘Warning’
Wednesday 29 May - Sunday 30 June 2013 2013 – Chiara Fumai, winner of the ninth edition of the Furla Prize, presents I did not Say or Mean ‘Warning’’ at the FondazioneQuerini Stampalia, in conjunction with the 55th Biennial of Visual Arts in Venice.Curated by Stefano Collicelli Cagol, Chiara Fumai's piece is the result of a reworking of the project for which the artist was awardedthe 2013 Furla Prize in January.
Created and curated by Chiara Bertola, the Furla Prize is a biennial recognition of excellence in contemporary art dedicated to youngand upcoming Italian talent, organised and sponsored by Fondazione Furla, Fondazione Carisbo, Fondazione Querini Stampalia,MAMbo - The Museum of Modern Art of Bologna, supported by Carisbo S.p.A. and in collaboration with Arte Fiera and Viafarini.The Award aims to support the best artistic achievements in our country, through the monitoring, selection, training of artists andproduction of new works, and has managed to establish itself as an international showcase for emerging creativity.The work of Chiara Fumai I Did not Say or Mean 'Warning' recreates the winning project by relating it to the spaces within theFondazione Querini Stampalia, thus giving rise to a site-specific project. The work is divided into two, complementary parts, located indifferent areas of the Foundation: a performance taking place among the museum's collections and a video-performance shown on anumber of plasma screens placed in communal areas like the cafeteria or foyer. In both of these parts, available throughout wholeduration of the exhibition, Chiara Fumai re-engages with the struggle against the image of the woman as eternally passive andmarginal. During a guided tour, the artist shows the public a number of works that are kept in the museum-house, with, in addition tothe main body of the guided tour, a message, delivered in sign language, addressing the absence of the feminine subject in historyand its possible consequences. The origin of the text that will be performed comes from an anonymous message found on theanswering machine of a feminist group that participated in the Armed Struggle.
The work aims to explore the very limits of performance, as underlined by the title, which rejects, but at the same time compels,attention - I Did not Say or Mean ‘Warning' - and follows on from a reflection by Fumai on the subject of language and the fragmentationof identity.The work will be accompanied by critical and literary essays by Stefano Collicelli Cagol and Francesco Urbano Ragazzi.
The public presentation of the winning work, funded entirely by Fondazione Furla, marks the final phase of the ninth edition of the Furla Prize, which began last November with the announcement of the shortlist of five finalists and continued with the exhibition of the finalists in Bologna, in the picturesque setting of the former Ospedale degli Innocenti.
An international jury made up of Galit Eilat (President of the Akademie der Künste der Welt, Cologne, and Researcher and Curator at the Van Abbe Museum, Eindhoven), Marina Fokidis (Founding Director of Kunsthalle Athena), John Peter Nilsson (Director of Moderna Museet Malmö), Chiara Parisi (Director of the cultural programs at the Monnaie de Paris), Dirk Snauwaert (Director of WIELS Contemporary Art Centre, Brussels) assessed the projects and the artists exhibited singling out Chiara Fumai as the winner, giving the following reason: "The energy of the artist, the extraordinary commitment that emerges from her work, the choice of extremely topical issues at the centre of both contemporary artistic reflection and the society of our time, such as feminism, performative discourse and activism. The research work and the deep conviction with which she tackles these issues, the roots of which are found in early feminism and conceptual performance but at the same time reinventing them in a perspective of continuity. And the ability to establish a dialectic of confrontation that led the jury to award the prize to this artist".
Stefano Collicelli Cagol and Bart van der Heide, the two curators who chose the artist to take part in the Furla Prize 2013 explained that "Fumai's work celebrates the ambiguity and vagueness of the human condition, pulled between contradictions and violent passions. Her performances and installations create alienating scenarios that emerge through a reflection of writings about political dissent, issues of gender, anarchist feminism, paranormal phenomena, amongmany others. In these settings, Fumai discusses, shouts rants and raves as she brings her multiple personalities to life to stand up for people from the past (for example Annie Jones, the bearded lady; the magician Houdini; Rosa Luxemburg) wjo are evoked in the artist's body and interact with the audience. Rather than proposing solid and comforting certainties, Fumai constantly displaces her audience, inviting them to expand their imagination and, with that, knowledge itself". The work of Chiara Fumai I Did not Say or Mean 'Warning' will be exhibited at the Fondazione Querini Stampalia from 29 May to 30 June 2013. Following the Venetian exhibition the work will be loan to MAMbo - the Museum of Modern Art of Bologna. As with previous editions, the winner of the Furla Prize will have the opportunity to study and work abroad, thanks to an involvement in the artist residency project, which this year will take place at the WIELS Contemporary Art Centre in Brussels. Management of the residence programme is entrusted to Viafarini, a centre for the documentation of contemporary art that, since its fifth year, has been collating the general archive of the Furla Prize and helps with the hosting of foreign curators thanks to the Milanese residency program VIR Viafarini Milan VIR-in-residence.
The bilingual catalogue (Italian / English) of the ninth edition of the Furla Prize, published by Mousse Publishing, features the work and the artistic research of the five finalists and documents the journey and the path into the world of Italian creativity taken for the Furla Prize, an award that aims to support the best of our country's artistic achievements.
Established as an annual event in 2000 at the Fondazione Querini Stampalia in Venice, over the years the Furla Prize has developed, renewing and expanding what it does. Since 2003, the biennial award has served as recognition of the breadth and effectiveness of monitoring the emerging creativity in our country, thus ensuring that this is passed on down the generations. The scientific rigor of the event, the curatorial support for training and production of new works, come together with an efficient international network of contacts with art critics, curators, museum directors and prestigious centres of art that today truly make it a crucial event in the growth of young Italian artists.
CHIARA FUMAI
Biographical notes
Born in Rome in 1978, she now lives and "unworks" in Milan. Since 2007 she has been producing performances influenced by deconstructive methods, freak shows, metaphysics, travestitism, and mostly by anarcha-feminist thought. Recent exhibitions include: Futura Center for Contemporary Art, Praga (2013); Museo del Novecento, Milano (2013); Maison Rouge, Parigi (2013); dOCUMENTA (13), Kassel (2012); Fondazione Bevilacqua La Masa, Venezia (2012), Jeu de Paume, Parigi (2011); Museo MAXXI, Roma (2011); Volcano Extravaganza, Stromboli (2011), Survival Kit Festival, Riga (2011).
STEFANO COLLICELLI CAGOL
Biographical notes
Stefano Collicelli Cagol (Padua, 1978) is a PhD Researcher for the Curating Contemporary Art Programme at the Royal College of Art in London. Since 2009 he has been coordinating the Young Curators Residency programme at the Fondazione Sandretto Re Rebaudengo in Turin. Since 2012, for the same institution, he has been one of the people responsible for CAMPO - Corso per Curatori, where he teaches the module, "History of exhibitions and of Curatiorial Practices”. For 2012/2013 he is the curator of the second cycle of 'Vitrine' dedicated to art in Piedmont, sponsored by the Gallery of Modern Art in Turin. In 2011 he was Assistant Curator for the exhibition "A Geographical Expression" curated by Francesco Bonami. He curated the exhibition "Seven Little Mistakes" at the MarinoMarini Museum in 2010. Research Curator at Villa Manin – Centre of Contemporary Art, Passariano (UD), has published various papers linked to the history of exhibitions in Italy; has worked with Domus, and curated the 'Chronology' of the exhibition catalogue Italics, Palazzo Grassi, 2009.
Press contacts
Paola C. Manfredi Studio
Via Marco Polo, 4 – 20124 Milano
T +39 02 87238004 - F + 39 02 87238014 - press@paolamanfredi.com
Paola C. Manfredi – M +39 335 54 55 539 – paola.manfredi@paolamanfredi.com
www.fondazionefurla.org
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Fact sheet
Add Fire: Furla Prize 2013
I did not Say or Mean ‘Warning’
Chiara Fumai - 9th winner Furla Prize 2013
Period
From29 May to 30 June 2013
Location
Fondazione Querini Stampalia
Santa Maria Formosa, Castello 5252, Venezia
Tel:+39 041 2711411
Opening and previews:
Tuesday 28 May from 10:00: Press previews
Tuesday 28 May from 18:00 Opening
Performance schedule
The performance which consists of an artist’s guided tour on the Museum of the Fondazione Querini Stampalia, will take place according to the following schedule:
Opening week
Tuesday 28 May (press preview) 12:00, 15:00 and 18:00
Wednesday 29, Thursday 30, Friday 31 May, Saturday 1 and Sunday 2 June: 12:00, 16:30
Month of June
Only at 16:30 on the following days:
Tues 4, Sun 9, Thurs 13, Fri 14, Sat 15, Sun 16, Thurs 20, Fri 21, Sat 22, Sun 23, Thurs 27, Fri 28, Sat 29, Sun 30. Access restricted to 20 people per performance, booking enquiries:
email: didattica@querinistampalia.org - tel.: +39 320 9272460
Opening hours
Tues – Sun, 10:00 – 18:00 -closed Monday
Entrance: Entrance to the exhibition is included in your entrance ticket to the Fondazione Querini Stampalia – full 10 euros -concessions 8 euros). From 28th to 31th may, by presentation of a valid Biennale Pass, it will be possible to visit the exhibition free of charge, participate in the performance (reservation required), and access to the spaces of the Fondazione Querini Stampalia.
Promoters
Fondazione Furla, Bologna
Fondazione Carisbo, Bologna
Fondazione Querini Stampalia Onlus, Venezia
MAMbo – Museo d’Arte Moderna di Bologna
With the support of
Carisbo S.p.A.
In collaboration with
Arte Fiera, Bologna
Viafarini, Milano
Curator and creator of the Prize
Chiara Bertola
Scientific Committee
Chiara Bertola, Giacinto di Pietrantonio, Gianfranco Maraniello, Viktor Misiano
Patron Artist
Jimmie Durham
Selecting Curators
Yann Chateigné Tytelman (Geneva, 1977)
Stefano Collicelli Cagol (Padua, 1978)
Elena Filipovic (Los Angeles, 1972)
Francesco Garutti (Milan, 1979)
Ilaria Gianni (Rome, 1979)
Fanny Gonella (France, 1976)
Vincenzo Latronico (Rome, 1984)
Alice Motard (Paris, 1978)
Filipa Ramos (Lisbon, 1978)
Bart van der Heide (Holland, 1974)
Finalist Artists
TOMASO DE LUCA (1988), selected by Ilaria Gianni and Alice Motard
CHIARA FUMAI (1978), selected by Stefano Collicelli Cagol and Bart van der Heide
INVERNOMUTO / SIMONE BERTUZZI (1983) and SIMONE TRABUCCHI (1982), selected by Filipa Ramos and Elena Filipovic
DAVIDE STUCCHI (1988), selected by Francesco Garutti and Yann Chateigné Tytelman
DIEGO TONUS (1984), selected by Vincenzo Latronico and Fanny Gonella
Catalogue
Bilingual publications (Italian, English) dedicated to the finalists of the ninth edition. Published by Mousse Publishing
For information
Fondazione Furla
Via Bellaria 3/5 40068
San Lazzaro di Savena, Bologna
info@fondazionefurla.org
www.fondazionefurla.org
Fondazione Querini Stampalia
Campo Santa Maria Formosa
Castello 5252, Venezia
T +39 041 2711411
didattica@querinistampalia.org
www.querinistampalia.org
Press Contacts
Paola C. Manfredi Studio
Via Marco Polo, 4 - 20124 Milano
T +39 02 87238004
press@paolamanfredi.com
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ADD FIRE – Jimmie Durham
By Chiara Bertola, curator and creator of the Premio Furla Award
Add Fire is the title – beautiful and destructive – that Jimmie Durham has dedicated to the ninth edition of the 2013 Premio Furla. In thinking about fire, countlessimages and metaphors immediately come to mind. The associations with this basic element are so numerous and so easy that it becomes paradoxical and difficult to put into words: fire that purifies, fire that brings light, the phoenix rising from its own ashes, the burning fire of passion, the initial fire of the BigBang, the glow of volcanic lava, the lighting of bombs, fires and torches, the flame of a candle...
Jimmie Durham invites the award’s artists to gravitate towards one of the richest and most contradictory symbols of humanity: aiming for something new – for discovery and progress – it is unable to truly dominate with reason andscience, the deepest and most elusive forces of nature. But we all know how much artists have always loved playing with fire. Add Fire echoes the need to start anew and wipe clean, characteristics of the Futurist years prior to the First World War. It recalls, as well, the informal research following the war, inspiring as both a vital force and a new means of technology: it is the flame that burns everything and becomes a fire; yet, it is also the flame that leaves traces of creation, from Klein’s"Monochrome", Burri’scombustion, Cage’s silence, all the way to the total re-establishment of the Sixties and Seventies... I am thinking about Gruppo Zero and their way of resetting everything to escape the currentsystem of common language and recognised forms. It is perhaps here that we find something belonging to the Add Fireproposed by Durham,something belonging to the urgencystill felt today – the urgent need to carry out that which doesnot end in the creation of a work, but rather generates a flow of meaning able to spread beyond the work that has been done, re-emerging from the ashes, from the blackened fragments, from the darkness of the soot. Because, today, we long for the birth ofsomething new. And rebirth can come from fire.
Perhaps, then, this is the profound, positive meaning inherent in that string of words, Add Fire, proposed by one of the most critical and caustic artists of the contemporary scene. With the flame of irony, he has turned centuries ofpresumption and Western colonialviolence into ashes.
But doesn’t playing with fire ultimately mean playing with the origin of life?
Chiara Bertola
The Residency
WIELS Contemporary Art Centre, Brussels
As one of the leading institutions for contemporary art in Belgium, and one without a permanent collection, WIELS Contemporary Art Centre focuses on presenting temporary exhibitions by national and international artists, both emerging and more established. In addition to regular exhibitions, WIELS houses nine residencies for young artists and an active education programme, all of which is housed in a former beer brewery (hence the name WIELS, short for the Wielman Ceuppen’s beer) originally designed in 1931 by Belgian architect Adrien Blomme, now a restored and historically classified building. Its vast former brewing hall entrance area (housing a café, bookshop, and ticketing booth alongside the brewery’s restored copper vats), gives way to WIELS’ main exhibition spaces – spread over four floors, their post-industrial scale and details gives a particular character to these display spaces.
In the relatively short time since its opening as a centre for contemporary art in 2008, WIELS has proven its importance both nationally and internationally, playing a leading role in the production and presentation of a large number of ambitious exhibitions and art projects. WIELS has organised major exhibitions for such influential artists as Mike Kelley, Yayoi Kusama, Luc Tuymans, Felix Gonzalez-Torres, Ann Veronica Janssens, Rosemarie Trockel, and Francis Alÿs, as well as a younger generation of artists including Bruno Serralongue, Andro Wekua, Melvin Moti, Yto Barrada, Sven Augustijnen, and Wangenchi Mutu, among others. WIELS also frequently collaborates with institutions abroad, including, most recently, Tate Modern in London, The Museum of Modern Art in New York, the Hammer Museum in Los Angeles, Fondation Beyeler in Basel, Museum für Moderne Kunst in Frankfurt, and Museum of Modern Art in Warsaw.
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Brief History of the Furla Prize
2011 EDITION
Winner: Matteo Rubbi
Finalists: Alis/Filliol (Andrea Respino and Davide Gennarino), Francesco Arena, Rossella Biscotti, Matteo Rubbi, Marinella Senatore
Selecting Curators: Lorenzo Bruni and Carson Chan; Cecilia Canziani and Vincent Honore; Alfredo Cramerotti and Emily Pethick;Vincenzo De Bellis and Philippe Pirotte; Simone Menegoi and Marianne Lanavère
International Jury: Christian Boltanski (patron artist of the Premio), Stefano Chiodi (critic and art historian), Vit Havranek (director,Tranzit Display Gallery of Prague), Jörg Heiser (critic and associate editor, frieze), Miguel Von Hafe Pérez (director, Centro Galegode Arte Contemporánea, Santiago de Compostela)
Patron Artist: Christian Boltanski
2009 EDITION
Winner: Alberto Tadiello
Finalists: Giorgio Andreotta Calò, Meris Angioletti, Giulia Piscitelli, Alberto Tadiello, Ian Tweedy
Selecting Curators: Laura Barreca and Pelin Uran; Caroline Corbetta and Daniel Birnbaum; Francesco Manacorda and RaimundasMalasaukas; Alessandro Rabottini and Yilmaz Dziewior; Andrea Viliani and Chus Martinez
International Jury: Marina Abramovic (artist), Alessio Antoniolli (director, Gasworks, London), Zdenka Badovinac (director, ModernaGalerija / Museum of Modern Art, Lubiana), Roberto Daolio (critic and independent curator), Hans Ulrich Obrist (co-director,Serpentine Gallery, London)
Patron Artist: Marina Abramovic
2007 EDITION
Winner: Luca Trevisani
Finalists: Alice Cattaneo, Elenia Depedro, Nicola Gobbetto, Luca Trevisani, Nico Vascellari
Selecting Curators: Caroline Corbetta, Francesco Manacorda, Daniele Perra, Camilla Seibezzi, Marina Sorbello
National Jury: Chiara Bertola (curator for contemporary art, Fondazione Querini Stampalia Onlus,Venice), Giulio Ciavoliello (criticand independent curator), Mario Codognato (curator MADRE – Museo d’Arte Donna Regina, Naples), Giacinto Di Pietrantonio(director, Galleria d’Arte Moderna e Contemporanea, Bergamo), Walter Guadagnini (president, Commissione Scientifica UniCredit &l’Arte), Gianfranco Maraniello (director MAMbo – Museo d’Arte Moderna di Bologna), Jonathan Watkins (director, Ikon Gallery,Birmingham)
International Jury: Chiara Bertola (curator of the Premio, without vote), Mona Hatoum (artist), Christoph Tannert (director,Kunstlerhaus Bethanien, Berlin), Stefano Arienti (artist), Bartomeu Marì (head curator, MACBA, Barcelona), Yuko Hasegawa (headcurator, Museum of Contemporary Art, Tokyo)
Patron Artist: Mona Hatoum
2005 EDITION
Winner: Piero Roccasalva
Finalists: Alex Cecchetti, Rä di Martino, Christian Frosi, Deborah Logorio, Pietro Roccasalva
Selecting Curators: Barbara Casavecchia, Mario Gorni, Cesare Pietroiusti, Marcello Smarrelli, Synapser groupNational Jury: Dede Auregli (manager, Spazio Aperto – Galleria d'Arte Moderna di Bologna), Carlos Basualdo (art critic andindependent curator), Chiara Bertola (curator for contemporary art, Fondazione Querini Stampalia Onlus, Venice), Luca Cerizza (art critic and independent curator), Laura Cherubini (art critic and independent curator), Giacinto Di Pietrantonio (director,Galleria d'Arte Moderna e Contemporanea, Bergamo), Cloe Piccoli (art critic and independent curator)
International Jury: Henry Meyric Hughes (independent curator and art writer), Victor Misiano (critic and curator; editor-in-chief,Moscow Art Magazine), Luigi Ontani (artist), Kiki Smith (artist), Anne Pontégnie (head curator, WIELS Contemporary Art Centre ofBrussels)
Patron Artist: Kiki Smith
2003 EDITION
Winner: Massimo Grimaldi
Finalists: Pierpaolo Campanili, Sarah Ciracì, Stefania Galegati, Massimo Grimaldi, Domenico Mangano
Selecting Curators: Cristiana Collu, Roberto Daolio, Aurora Fonda, Massimiliano Gioni, Salvatore Lacagnina, Cornelia Lauf, AndreaLissoni, Luisa Perlo, Marion Piffer, Maria Rosa Sossai
National Jury: Dede Auregli (manager, Spazio Aperto – Galleria d'Arte Moderna di Bologna), Emanuela De Cecco (art critic),Giacinto di Pietrantonio (director, Galleria d'Arte Moderna e Contemporanea, Bergamo), Francesca Pasini (art critic andindependent curator), Bartolomeo Pietromarchi (secretary-general, Fondazione Adriano Olivetti, Rome), Angela Vettese (director,Corso di Arti Visive IUAV di Venezia)
International Jury: Zdenka Badovinac (director, Galleria Moderna Kontakt, Ljubljana), Carlos Basualdo (poet, critic and independentcurator; co-curator, Documenta 11, Kassel and co-curator, 50th Venice Biennial of Visual Art), Nuria Enguita (director, FondazioneAntoni Tàpies, Barcelona), Michelangelo Pistoletto (artist and founder, Fondazione Cittadellarte, Biella), Vincent Todolì (director,Tate Modern Gallery, London)
Patron Artist: Michelangelo Pistoletto
2002 EDITION
Winner: Sissi
Finalists: Marcello Maloberti, Ottonella Mocellin, Adrian Paci, Daniele Puppi, Sissi
Selecting Curators: Marcella Beccaria, Costantino D’Orazio, Maria Luisa Frisa, Agnes Kohlmeyer, Gianfranco Maraniello, PaolaNicita, Chiara Parisi, Gabriele Perretta, Alessandro Rabottini, Gabi Scardi
National Jury: Dede Auregli (manager, Spazio Aperto – Galleria d'Arte Moderna di Bologna), Chiara Bertola (contemporary artcurator, Fondazione Querini Stampalia Onlus di Venezia), Emanuela De Cecco (art critic), Giacinto di Pietrantonio (director, Galleriad'Arte Moderna e Contemporanea, Bergamo), Francesca Pasini (art critic and independent curator), Bartolomeo Pietromarchi(secretary-general, Fondazione Adriano Olivetti, Rome), Angela Vettese (director, Corso di Arti Visive IUAV di Venezia)
International Jury: Lothar Baumgarten (artist), Iwona Blazwich (director, White Chapel, London), Ida Giannelli (director, Castello diRivoli, Turin), Vasif Kortun (director, Project 4, Museum of Modern Art, Istanbul), Jérôme Sans (director, Palais de Tokyo, Paris)
Patron Artist: Lothar Baumgarten
2001 EDITION
Winner:Lara Favaretto
Finalists: Massimo Bartolini, Lara Favaretto, Vedova Mazzei, Margherita Manzelli, Sabrina Torelli
Selecting Curators: Dede Auregli, gruppo A Titolo, Gigiotto Del Vecchio, Luca Cerizza, Teresa Macrì, Cloe Piccoli, BartolomeoPietromarchi, Sergio Risaliti, Gianni Romano, Sabrina Zannier
National Jury: Chiara Bertola (contemporary art curator, Fondazione Querini Stampalia Onlus, Venice), Gail Cochrane (art critic),Roberto Daolio (art critic and independent curator), Giacinto Di Pietrantonio (director, Galleria d'Arte Moderna e Contemporanea,Bergamo), Cristiana Perrella (art critic), Giorgio Verzotti (head conservator, Mart, Trento-Rovereto), Angela Vettese (director,Corso di Arti Visive IUAV di Venezia)
International Jury: Yuko Hasegawa (director, Istanbul Biennial 2001 and senior curator, Museum of Contemporary Art, Kanazawa),Ilya & Emilia Kabakov (artists), Jenny Lomax (curator and director, Camden Art Centre, London), Ettore Spalletti (artist), OctavioZaya (co-curator, Documenta 11, Kassel, 2002)
Patron Artist: Ilya Kabakov
2000 EDITION
Winner: Sislej Xhafa
Finalists: Simone Berti, Eva Marisaldi, Sislej Xhafa, Paola Pivi, Alessandra Tesi
Selecting Curators: Paolo Falcone, Claudia Colasanti, Ludovico Pratesi, Guido Molinari, Alessandra Galletta, Guido Curto, RobertoPinto, Emanuela De Cecco, Francesca Pasini, Laura Cherubini
National Jury: Chiara Bertola (contemporary art curator, Fondazione Querini Stampalia Onlus, Venice), Gail Cochrane (art critic),Roberto Daolio (art critic and independent curator), Giacinto Di Pietrantonio (director, Galleria d'Arte Moderna e Contemporanea,Bergamo), Cristiana Perrella (art critic), Giorgio Verzotti (head conservator, Mart, Trento-Rovereto), Angela Vettese (director,Corso di Arti Visive IUAV di Venezia)
International Jury: Chiara Bertola, Ann Demeester (curator, SMAK, Gent), Adelina von Fürstenberg (president, Art for the world,Geneva), Alberto Garutti (artist), Joseph Kosuth (artist), Marta Kuzma (curator, Corcoran Gallery of Art, Washington), Sania Papa(director, Centre of Contemporary Art, Salonicco)
Patron Artist: Joseph Kosuth
