Mousse Magazine
#28
April 11
Index:
Starring
by Antonio Scoccimarro
HARK!
Does Art Have a Second Life Online?
by Jennifer Allen
Art Schools, the Internet, and the Violin-playing Mermaids
by Tony Conrad and John Miller
THOMAS SCHÜTTE
Reality Production
by Hans Ulrich Obrist
BEN RIVERS
Into the Wild
by Ed Halter
TALKING ABOUT
Letter To a Blind Man
by Dieter Roelstraete
MANON DE BOER
The Human Voice
by Raimundas Malašauskas
GABRIEL SIERRA
Customized
by Ruba Katrib
ARTIST PROJECT
Eva Rothschild
TEN FUNDAMENTAL QUESTIONS OF CURATING
Why Mediate Art?
by Maria Lind / edited by Jens Hoffmann / artwork by Marysia Lewandowska
NEW YORK / SUNG HWAN KIM
Some Stories in a Room
by Anthony Huberman
LOS ANGELES / KATHRYN ANDREWS
Party Favors: The Work of Kathryn Andrews
by Andrew Berardini
LONDON / JAMES RICHARDS
Off-demonstration
by Isla Leaver-Yap
PARIS / FRANCE FICTION
On Collective Writing: France Fiction
by Vincent Honoré
BERLIN / GERNOT WIELAND
Reference and Experience
by Gigiotto Del Vecchio
Nine Questions to Yorgos Sapountzis
by Francesca Boenzi
ROB JOHANNESMA
Echoing the History of Painting
by Luigi Fassi
MIKE NELSON
Reinvestigations
by Andrea Viliani
REPRINT
How Do You Deal with Ass Wigglers?
by K8 Hardy
HELEN MARTEN
Show Hidden Characters
by Matias Faldbakken
NICE TO MEET YOU / TOBIAS KASPAR
Sentimental Style
by Axel Wieder
Books
by Stefano Cernuschi
Diary
by Antonio Scoccimarro
JAVIER TÉLLEZ
The Cabinet of Dr. Téllez
by Ana Teixeira Pinto
PORTFOLIO / MORAG KEIL
With a Little Help from my Friends
by John Harrington
FREDRIK VĆRSLEV
Finishing Touches
by Esperanza Rosales
www.moussemagazine.it
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Mousse is a bimonthly magazine published in Italian and English . Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism and curation, alternated with a series of distinctive columns in a unique tabloid format.
Mousse keeps tabs on international trends in contemporary culture through city editors in major art capitals such as Berlin, New York, London, Paris, and Los Angeles.
Mousse has a circulation of about 40.000 copies and a widespread distribution network in Europe, the United States, Australia, and Asia, as well as in Italy, where it is available free of charge.
(B)
Mousse is publisher of catalogues, essays and curatorial projects, artist books and editions. Mousse Publishing works together with museums, institutions and galleries to release books that are special.
Mousse is an agency offering from concept to management of projects and events related to contemporary art and culture. Mousse can develop communication projects in partnership with public institutions, foundations, businesses and artists, on paper and web-based.